LibGuides: SUA Faculty Scholarship: Merod, Jim

Books & Book Chapters

Whisper Not: The Autobiography of Benny Golson
Call Number: ML419.G635 A3 2016
Golson, Benny, and Jim Merod. Whisper Not: The Autobiography of Benny Golson. Philadelphia, Pennsylvania: Temple University Press, 2016.
“Forward Motion: An Interview with Benny Golson.”
Call Number: ML3508 .J38 1998
Golson, Benny and Jim Merod. “Forward Motion: An Interview with Benny Golson.” The Jazz Cadence of American Culture, 32-61. Edited by Robert G. O'Meally. New York: Columbia University Press, 1998.
The Political Responsibility of the Critic
Call Number: PN98.P64 M47 1987
Merod, Jim. The Political Responsibility of the Critic. Ithaca: Cornell University Press, 1987.

More Information

Jim Merod, PhD - SUA Directory
Blue Port Jazz
"Jim Merod is an outstanding recording engineer who in the early 1990s founded BluePort Sound recording studio and BluePort Jazz, a label with 15 published albums."

Journal Articles

Reassessment
Merod, Jim. “Reassessment.” The A-Line Journal: A Journal of Progressive Thought 1, no. 3-4 (August 2018).
At Shakespeare’s Bed
Merod, Jim. “At Shakespeare’s Bed.” The A-Line Journal: A Journal of Progressive Thought 1, no. 2 (February 2018).
Styles of Democracy
Merod, Jim. “Styles of Democracy.” The A-Line Journal: A Journal of Progressive Thought 1, no. 2 (February 2018).
Freedom’s Changing Shape
Merod, Jim. “Freedom’s Changing Shape.” The A-Line Journal: A Journal of Progressive Thought 1, no. 1 (November 2017).
Future Grotesque
Merod, Jim. “Future Grotesque.” The A-Line Journal: A Journal of Progressive Thought 1, no. 1 (November 2017).
Or, The Whale
Merod, Jim. “Or, The Whale.” boundary 2: An International Journal of Literature and Culture 41, no. 2 (Summer 2014): 18-20.
Benny Golson and John Coltrane
Merod, Jim. “Benny Golson and John Coltrane.” boundary 2: An International Journal of Literature and Culture 41, no. 3 (Fall 2014): 93-122.
Biography as Erasure: Louis Armstrong's Radical Light
Merod, Jim. “Biography as Erasure: Louis Armstrong's Radical Light.” boundary 2: An International Journal of Literature and Culture 38, no. 3 (August 2011): 165-215.
Andante ma non troppo e molto cantabile: Audio (II)Iiteracy, or Beethoven's Triumphant Despair
Merod, Jim. “Andante ma non troppo e molto cantabile: Audio (II)Iiteracy, or Beethoven's Triumphant Despair.” boundary 2: An International Journal of Literature and Culture 35, no. 1 (Spring 2008): 35-65.
Lindsay Waters on de Man: On Nothing's Aftermath
Merod, Jim. “Lindsay Waters on de Man: On Nothing's Aftermath.” boundary 2: An International Journal of Literature and Culture 32, no. 3 (Fall 2005): 43-46.
The Question of Miles Davis
Merod, Jim. “The Question of Miles Davis.” boundary 2: An International Journal of Literature and Culture 28, no. 2 (Summer 2001): 57-103.
The Sublime Lyrical Abstractions of Edward W. Said
Merod, Jim. “The Sublime Lyrical Abstractions of Edward W. Said.” boundary 2: An International Journal of Literature and Culture 25, no. 2 (Summer 1998): 117-43.
Intellectual Collaboration in the Age of Technological Overdetermination: Miles Davis and John Coltrane
Merod, Jim. “Intellectual Collaboration in the Age of Technological Overdetermination: Miles Davis and John Coltrane.” boundary 2: An International Journal of Literature and Culture 24, no. 1 (Spring 1997): 79-112.
A Cocktail Lounge Saloon Song Player: An Interview with Dave McKenna
Merod, Jim, and Dave McKenna. “A Cocktail Lounge Saloon Song Player: An Interview with Dave McKenna.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 235-44.
A Little Bitty Fly on the Wall: An Interview with John Hicks
Merod, Jim, and John Hicks. “A Little Bitty Fly on the Wall: An Interview with John Hicks.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 151-175
Forward Motion: An Interview with Benny Golson
Merod, Jim, and Benny Golson. “Forward Motion: An Interview with Benny Golson.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 53-93.
Jazz as a Cultural Archive
Merod, Jim. “Jazz as a Cultural Archive.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 1-18.
Paint Another Picture: An Interview with Frank Strazzeri
Merod, Jim, and Frank Strazzeri. “Paint Another Picture: An Interview with Frank Strazzeri.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 191-206.
Tell a Story: An Interview with Joe Wilder
Merod, Jim, and Joe Wilder. “Tell a Story: An Interview with Joe Wilder.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 117-49.
There's a Foundation to Everything: An Interview with Mary Stallings
Merod, Jim, and Mary Stallings. “There's a Foundation to Everything: An Interview with Mary Stallings.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 177-90.
Wait for the Chord: An Interview with Scott Hamilton
Merod, Jim, and Scott Hamilton. “Wait for the Chord: An Interview with Scott Hamilton.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 207-34.
You Have to Become: An Interview with Art Farmer
Merod, Jim, and Art Farmer. “You Have to Become: An Interview with Art Farmer.” boundary 2: An International Journal of Literature and Culture 22, no. 2 (Summer 1995): 37-51.
The Wisdom of Our Violent Knowledge: Postmodern Economics and Academic Cyberspace
Merod, Jim. “The Wisdom of Our Violent Knowledge: Postmodern Economics and Academic Cyberspace.” boundary 2: An International Journal of Literature and Culture 21, no. 3 (Autumn 1994): 231-46.
A World without Whole Notes: The Intellectual Subtext of Spike Lee's Blues
Merod, Jim. “A World without Whole Notes: The Intellectual Subtext of Spike Lee's Blues.” boundary 2: An International Journal of Literature and Culture 18, no. 2 (Summer 1991): 238-51.